Sygaldry
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Bibliography
[1]

Jeronimo Babosa, Joseph Malloch, Marcelo M. Wanderley, and Stéphane Huot. What does “evaluation” mean for the NIME community? In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2015.

[2]

Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, and Marcelo M. Wanderley. Documentation and replicability in the nime community. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2021.

[3]

Jean-Michaël Celerier. Rage against the glue: Beyond run-time media frameworks with modern C++. In Proceedings of the International Computer Music Conference (ICMC), 2022.

[4]

Ivan Franco and Marcelo M. Wanderley. Prynth: A framework for self-contained digital music instruments. In International Symposium on Computer Music Multidisciplinary Research, pages 357–370, 2016.

[5]

Vincent Goudard. Ephemeral instruments. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2019.

[6]

Donald E. Knuth. Literate programming. The Computer Journal, 27(2), 1984.

[7]

Adnan Marquez-Borbon and Juan Pablo Martinez Avila. The problem of dmi adoption and longevity: Envisioning a nime performance pedagogy. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2018.

[8]

Andrew P. McPherson and Youngmoo E. Kim. The problem of the second performer: Building a community around an augmented piano. Computer Music Journal, 36(4):10–27, 2012.

[9]

Fabio Morreale and Andrew P. McPherson. Design for longevity: Ongoing use of instruments from nime 2010-14. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2017.

[10]

Matthew Rodger, Paul Stapleton, Maarten van Walstijn, Miguel Ortiz, and Laurel Pardue. What makes a good musical instrument? A matter of processes, ecologies and specificities. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2020.

[11]

John D. Sullivan. Built for Performance: Designing Digital Musical Instruments for Professional Use. PhD thesis, 2021.

[12]

Luis Zayas-Garin, Jacob Harrison, Robert Jack, and Andrew McPherson. Dmi apprenticeship: Sharing and replicating musical artefacts. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2021.